The below videos offer proof Israeli special agents were part of planning of 9/11 attacks. Lower in article are details about the “Israeli Artists / bomb specialists” who lived in World Trade Center Towers for 4 years preparing for 9/11, including sick drawings they left and photos. Scroll to bottom for many links of documentation.
Also see this related article on how Israel spying mechanism controls all data bases.
This is a fairly inclusive video on Zionist involvement in 9/11
A large group of “artists” were given space and construction access to the World Trade Center in the four years leading up to 9/11
I want to call your attention to the artist groups (E-TEAM and GELATIN) who were selected to be part of the Lower Manhattan Cultural Council (LMCC) World Views / Studioscape (slow link) programs that allowed them and other artists to work and live in the WTC in the four years leading up to 9/11 on different floors, including 91 and 92 of the North Tower. Additionally, they were given seven day a week construction access to the WTC that allowed them to freely move all sorts of materials in and out of the complex.
(Note: When you give young artists access to a building and work-live space, they’re going figure out everything they can and can’t get away with in there. I’ve lived in several wild artist buildings and from my experience, once they’re in, they can get anywhere they want…especially with climbing gear & harnesses…see photos below. LMCC and WTC management would know that before approving such a program. For artists to be able to take out windows on the 91st floor and install a makeshift “balcony” (see the NYTimes, August 2001) protruding out of the building should give you some real insight into just how lax WTC security was at that time and how dangerous the LMCC program was. Sounds to me like the WTC was conveniently out of control in the years leading up to 9/11 and that security there was a complete joke as far as these artists and all their friends were concerned…see photos below.)
As you may know, audacity, arrogance and a love of esotericism (“it’s a great piece of artwork…you just don’t get it”) are common features of the art world, especially among privileged and highly connected, younger artists. Therefore, I think it is plausible that the E-Team might also stand for Explosives Team (amongst themselves, their handlers and sponsors) and that Gelatin’s The B-Thing may also be, not so secretly, referring to explosives (see blasting gelatin & note that Gelatin became Gelitin in ’05…wonder why?). Keep in mind that we gave these foreign groups WTC construction access and allowed them to live directly in the strike zone through the LMCC World Views and Studioscape programs. They would probably look upon most of Americans as complete idiots and that their work was highly sanctioned by the people in charge.
And as incredible as it might sound, I think it is very possible that the “team” (that included many others) may have advertised itself in a major way to their special audience under the cover of “art”, right on the WTC strike zone just before 9/11 (see 127 Illuminated Windows). Further, in an incredible display of audacity and arrogance Gelatin members openly exposed themselves (reportedly naked) to be photographed by helicopter at the location of all their (possible) crimes, prior to 9/11 (The B-Thing). And finally, in what may be the ultimate esoteric performance art pc. of all time, they might have intentionally photographed individuals (some who may have known what was coming) directly in the initial WTC strike zone, prior to 9/11 (see Quick Click). Yes, this is awful to imagine, but considering the controlled demolition evidence now available to us, it might be important to look at these artists and their artwork in a new light, since the explosives had to be put there by some group of people who had access. I find it interesting that some of the above artwork has no real significance without the events of 9/11, especially when you consider that these are artists deemed so talented by the LMCC’s standards, that they should be given free studio space and homes in the World Trade Center. LMCC endorsing a simpleminded artist name promotion (E-TEAM), a stand in the window photo shoot w/copter and an “unofficial” dangerous (did they-didn’t they) balcony prank w/copter, just doesn’t add up to me.
(Note: In the years that followed the careers of these two artist groups flourished with shows all over the world. Further, consider the possible message and target audience for this recent photograph. Is that a veiled threat, demanding even faster art career advancement, from those in charge?)
Artists are traditionally known to be good with their hands and to often engage in long and tedious types of work. All you need to do is add a little training and hate to the mix. Note the climbing gear and the detailed outer structure & inner core renderings in the The B-Thing floor plan & photos below. Also consider the very precise timing notes on that plan drawing and how important that kind of thing might be for certain types of activities, when buildings are occupied. I think these artists can be deadly serious when they want to be and operate behind a sort of clownish artistic facade. Their Trojan Horse analogy is interesting and telling too…however, maybe its inside of the artist as an individual, that the attacker is hiding. Artists as Trojan Horses.
Lastly, I think the Framed Dummies artworks (see below) in the buildings’ concourse and on an outside walkway (one set of them inside & one set of them outside) were yet another part of these possible sick jokes…artwork pieces esoterically referring to framing the Muslims (Gutless Men Carried It Out), who were often portrayed like this in the years right after 9/11…bad guys in the dark outfits…who were always ready to cut someone’s head off, when they weren’t training on their (playground) monkey bars. It’s weird how we don’t see any of that anymore…I guess those images were determined to be firmly implanted.
Knowing artists as I do, I think above scenario is very possible. I’m not accusing anyone here, it all may be very innocent, I’m just stating that it is possible and that it is a very strange set of coincidences under the circumstances. However, I do think it’s of national importance to investigate thoroughly the LMCC programs, its administrators, directors, all WTC/LMCC artists, all related artwork and photography. It sickens me to think that “leaders” could teach young artists to hate and to encourage them to use their creative skills in hateful ways.
E-Team (Hajoe Moderegger,
Franziska Lamprecht, Dan Seiple)
127 Illuminated Windows
March 2001
Framed (gutless) Dummies artwork inside WTC on 9/11
Gelitin, The B-Thing, 91st Floor of WTC 1
Gelitin, The B-Thing, 91st Floor of WTC 1
Gelitin, The B-Thing, 91st Floor of WTC 1 (FICKEN is German for F**K)
Gelitin, The B-Thing, 91st Floor of WTC 1
Gelitin, The B-Thing, 91st Floor of WTC 1
Gelitin, The B-Thing, 91st Floor of WTC 1
Gelitin, The B-Thing, 91st Floor of WTC 1
Gelitin, The B-Thing, 91st Floor of WTC 1
Gelitin, The B-Thing, 91st Floor of WTC 1
Gelitin, The B-Thing, 91st Floor of WTC 1
Note the window glass
Gutless Men Carried It Out
September 2001
See link below
This story is proof positive of the way 9 11 was planned and carried out.
Rebekah Roth was a flight attendant for many years for her career. She was in a state of total shock, as we all were, on that sad day when the 9/11 mega tragedy exploded in all of our lives without warning and the entire world changed in so many ways for the worse. A bit later on she started trying to connect the dots about 9/11 because many, many of the so called “facts” just didn’t add up for her at all. There were so many holes in the reported story it was like a nightmare that would not go away. Rebekah could not stop thinking about what the public was being told that just didn’t make any sense. The facts seemed to be made up to cloud the real picture of what had really happened and who was behind it. She decided she had to do something about the situation herself. She started out by using her long time knowledge of major airline crew procedures and technical data relating to cell phones in airplanes on that date and also started listening to what the so called recordings of the passengers aboard the supposedly high-jacked planes were supposedly saying and started to make insightful and startling findings. As she pressed harder for the truth of what was really happening during these recordings and putting in literally hundreds of hours of deep research the real facts started to add up in a very different way than what anyone had ever dreamed possible. She checked and double checked her findings and the newly discovered facts rang true. She was on to the real story at last, and no one was more surprised than her. There she was, a private citizen, a working mother and wife with a large family responsibilities, without any founding whatsoever to do the research she had to do all by herself to dig deep, and she achieved what high paid, large official government committees could not do, what elected officials had not done, what investigative reporters had totally missed, and what all the major mainstream media had lead the public to believe that turned out to be false or half truth information. And that was to seek and actually find the truth. The official government report on 9/11 now looked more and more like a pack of lies and filled with deliberate misinformation and out and out deceptions that only would lead people further and further from the real story and the truth. Certainly the families of the all the thousands of people who had lost their lives that dark day deserved to know what really happened to their loved ones and who or what killed them and how it was done. The families also deserve justice to see the people who actually did the crime be brought to justice, given a trail, and if found guilty sentenced to what they reserve no matter where the search leads and who is found guilty. The entire world deserves the truth. The real killers are still free to this day, and that must and will change if we as a strong group of concerned citizens and truth seekers of the entire world demand the entire truth regarding 9/11. Period. Rebekah is a true hero as far as I’m concerned and I think that I can also speak for everyone who has read her 2 brilliant books, Methodical Illusion and Methodical Deception. What awesome research these books contain for all to see. Her next book will be out soon and we all can’t wait to read it!!! Thank you and congratulations to you, Rebekah Roth, for all your amazing work. America and the entire world needs more people like you and we all owe you a great debt of true heartfelt gratitude. You are helping to reveal the truth and it always has won out and always will win.
Thank you Nick. Rebekah Roth has contributed important new links for the 9/11 Truth Movement. Particularly that an Israeli “anti-terrorist” operative had a first class seat. He was trained as an assassin. She also revealed the “artists” and brought it to my attention. Being who she is, Rebekah has reached another segment of population which is very very good. For skeptics, see Pilots for 9/11 Truth, and Architects and Engineers for 9/11 Truth.
Those of us that instinctively know we have not been told the truth, do not need much help to dig for the truth.
It is the billions of people in the world who choose not to look, that we need to somehow find a way to reach.
Thank you both for a riviting discussion.
We agree, thank you.
I posted similar evidence of the “artist-bomb makers” more than two years ago. The Cognitive Dissonance Disease that is so rampart welded a permanent tin foil hat on my head. It is amazing how many people would just have the reflex action to do so. There will NEVER be 911 Truth just as nothing has been done in regard to mountains of evidence regarding the triple killings of RFK, MLK, and JFK in the 60’s.
Even to dispense with Archons, Reptilians, Satan and the Illuminati it is easy to see that we have been blinded, collectively, by “the script”. There IS a Deep State pulling the strings, exerting their control mechanisms for themselves to guarantee their power through the ages that it is to stay in their hands. Could it be possible that there is something we do not know, that “The Controllers” are protecting us from? Even so, the deep secrecy and protection of this knowledge , by the very nature of those actions, would be subject to being co-opted by those with legitimate evil intent.
WHY DO YOU THINK ADOLPH WANTED THEM OUT OF HIS COUNTRY? THERE IS ALMOST HALF THE POPULATION WITH THESE CULTISTS!!
Almost every country wanted them out because Jews think they are THE chosen people of their channeled entity, the one channeled by channeler Moses, and everyone else is lesser and can be cheated with impunity. So they were unwelcome everywhere and “wandered” because they were arrogant cheats. Hitler was the grandson of Soloman Rothschild, and Hitler himself was a mind controlled placed puppet. You can find info on that on this website or on web. World War II was set up, just as much of modern economic, political and even scientific history is manufactured. If you heard about something, who allowed it to be heard?